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My brain kept pronouncing the -STICATE part like SOPHISTICATE (n.).
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Seemed impossible to have that much of an answer and not be able to see it, but can be noun or verb and can mean a million things. I wouldn't call it difficulty, more frustration: I had -STICATE and still no idea what 16D: Break was ( DOMESTICATE). Only difficulty I had was the aforementioned LACTEAL, then. This is nearly the only true complaint I have about this puzzle, and yet I can't stop talking about it-such is the effect of even a small pile of garbage in a nicely tended garden. I guess the TIE CLASP keeps your tie from falling into your food? I wanted something like TIE BIB, which seems like it would be more effective against stain onslaughts. I also don't really know the term TIE CLASP (is that like a TIE CLIP?), but that's probably my fault for being a boor and getting stains all over the ties I don't wear every time I eat soup. It sounds like the color of French lakes ("Quelle color is that?" "C'est LAC TEAL, you CLOD!"). When they invent a pharmaceutical called LACTIVIA, I'll have that too, but for now, three moves. When I see LACT-, I've got basically three moves: LACTIC, LACTATE / LACTATING, and LACTOSE. That is the nicest thing I can say about LACTEAL. He is the opposite of unassuming (I don't know why he's a he, since the answer is about milk production, but I don't cast the weird dramas in my brain I'm not sure who you see about that). Everyone else looks nice and is just mingling, having a good time, and LACTEAL comes stumbling in, burping and spilling drinks and generally causing a scene. And LACTEAL just looks like someone who crashed the party without even bothering to clean up first. About that LACT- answer: when your puzzle is generally smooth (as this one is) and generally easy (as this one is) then the bad fill just hits harder. Once again, a 1-Across gimme ( 1A: Like faces around a campfire at night = UPLIT) was the harbinger of a very fast late-week solve. In 2003, Kevin Spacey was appointed artistic director, which received considerable media attention. Spacey served as artistic director until 2015 two years after he stepped down, he was accused of sexually harassing and assaulting several students. In 2015, Matthew Warchussucceeded Spacey as artistic director. The theatre underwent complete refurbishment in 1985. However, with the withdrawal of funding for the company by the Arts Council of Great Britain in 1980 for breaching its touring obligations, Prospect disbanded in 1981. The Old Vic then became the home of Prospect Theatre Company, at that time a highly successful touring company which staged such acclaimed productions as Derek Jacobi's Hamlet. The National Theatre remained at the Old Vic until new premises were constructed on the South Bank, opening in 1976.
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It was the name of a repertory company that was based at the theatre and formed (along with the Chichester Festival Theatre) the core of the National Theatre of Great Britain on its formation in 1963, under Laurence Olivier. The Old Vic is the crucible of many of the performing arts companies and theatres in London today. The building was damaged in 1940 during air raids and it became a Grade II* listed building in 1951 after it reopened.
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In 1898, a niece of Cons, Lilian Baylis, assumed management and began a series of Shakespeare productions in 1914. It was taken over by Emma Cons in 1880 and formally named the Royal Victoria Hall, although by that time it was already known as the "Old Vic". In 1871 it was rebuilt and reopened as the Royal Victoria Palace. Established in 1818 as the Royal Coburg Theatre, and renamed in 1833 the Royal Victoria Theatre. The Old Vic is a 1,000-seat, not-for-profit producing theatre just south-east of Waterloo station on the corner of the Cut and Waterloo Road in Lambeth, London, England.